I like the focus of watchOS 3. It’s a relief they’ve realized that the worst thing about Apple Watch is the ludicrous load times for apps and waiting for info to display or update; I find it surprisingly torturous even for a v1 product, and if it had been up to me I wouldn’t have launched with that experience. Now whether v1 watch hardware can really be as fast as the demo promises is another question, but at least they’re trying to do something to improve this for current watch owners. This is the first developer preview I’m going to install immediately.
Siri on OS X (now rebranded to macOS) was a no-brainer, I really expected it to happen much earlier. It’ll be fascinating to see whether Amazon can maintain its lead with Alexa/Echo as everyone else tries to build out their own voice platforms.
Continuity across devices continues to take small steps forward, now with things like Universal Clipboard and even the ApplePay on web integration. We’re slowly, slowly making it towards the killer app of flinging your display windows across devices like Tony Stark does in Iron Man 2.
I’m more than a little horrified at how much of iOS 10’s demo time was devoted to emoji and other iMessage bubble features. Sigh. On one hand I admire Apple for being hip to where today’s hotness is. On the other I wish we as a society were focused on more substantial things. We wanted flying cars…
One of my current projects is reading the complete works of Edward Tufte, one of the giants in information design. For better or worse I’ve decided to read the books in order of original publication date, and although The Visual Display of Quantitative Information, 2nd edition was originally published in 1983 most of its principles are still easily applicable today.
One great thing about the book is that it immediately conveys Tufte’s strong sense of history, providing a solid foundation in understanding the evolution of infographics through the past couple centuries. Tufte’s writing is crisp and direct, supported by page layouts that are simple and approachable. Most of his historical examples are interesting (including Charles Joseph Munard’s famous infographic of Napoleon’s (death) March), and he gets some good ribbing in when he presents his statistical studies on the complexity of the infographics found in modern (for the 80’s) print publications. Surprisingly the New York Times gets a lashing, though as anyone who peruses the Times website these days knows they’ve now got a ridiculously crackerjack infographics team that could very well represent the publication’s future.
Here are the two key principles I took away from this first volume:
Data should never lie. This means being absolutely accurate in representing visual proportions and relationships in your graphics, as well as eliminating any possible confusion in presentation: clearly labeling your data, avoiding harsh coloring/shading patterns, etc.
Give your audience more credit. What this really boils down to is that Tufte places a premium on conveying information efficiently, condemning modern graphics for being overly simplistic and bloated “chartjunk.” He goes to great lengths to measure each graphic’s efficiency with two key ratios: the first is the ratio of ink used for data points vs. ink that doesn’t represent actual data, and the second is a measure of how many data points are presented per square inch or square centimeter. His metrics and analysis are endearingly thorough.
These principles are clearly just good user interaction design, though it’s surprising how often they still get violated (I’m looking at you, USA Today). Overall, the book is a brisk and fun read. It’s even inspired me to create some of my own personal infographics, though I suspect most of my ideas won’t pack in quite the data density that Tufte would approve of.
Regardless, I’m really looking forward to cracking open the later books in his oeuvre to see how his design sense (and page layouts) evolve throughout the next few decades. Up next: 1990’s Envisioning Information.
I’m still trying to decide whether CoolIris is more than just a slick gimmick but I was impressed to encounter this screen during setup:
What’s cool about this is that they’ve anticipated the user’s context within the browser — here, they know exactly what warning Firefox will display and where it’s located — so they’re able to tell me exactly what to do by pointing to something that’s outside of their actual webpage. Pretty nifty.
Coincidentally, Vizio used a similar device in their recent Super Bowl ad where they used an arrow to point to the brand logo that’s typically positioned right below the screen on tv sets. Truly outside of the picture box. It’s like breaking the fourth wall!